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Movie News
HOT DOCS LOOKS BACK ON A DECADE OF DOCUMENTARY PDF Print E-mail
HOT DOCS LOOKS BACK ON A DECADE OF DOCUMENTARY WITH
RIPPING REALITY RETROSPECTIVE CELEBRATES SOUTH AMERICAN FILMMAKING WITH THE MADE IN PROGRAM
Toronto, January 12, 2010 – Hot Docs will celebrate and explore a decade of docs during its 2010 Festival, April 29 to May 9, by looking back on the past ten years of documentary filmmaking with a retrospective, Ripping Reality, aimed at mapping the explosive growth and popularity of non-fiction film during this time.
With input from international documentary programmers, Ripping Reality will present a selection of contemporary films deemed significant over the past decade of explosive growth and development for the documentary form.
"We think the past decade has seen a new wave emerge within documentary culture," says Hot Docs director of programming Sean Farnel. "Yet unlike other new wave movements in the history of cinema this one remains largely undefined, unheralded. What are its attributes aesthetically, politically and socially? What are its key films and filmmakers? What are the factors behind the explosive growth of documentary filmmaking, festivals and their audiences? These are just a few of the questions with which we begin. But Ripping Reality is not just about looking back, it is about informing and furthering the vitality of documentary through the next decade."
Intended as a catalyst for further initiatives over the next year, Ripping Reality will afford Hot Docs audiences the opportunity to view significant works of the past decade and discuss the transformation of the medium during this time. Specific titles and programming attached to this retrospective will be announced in late March.
Hot Docs will once again explore the contemporary documentary work of specific nations and regions with its Made In program this year, which will focus on films from South America. Showcasing the finest in non-fiction cinema from this vibrant and artistically-rich region, Made In South America will feature a selection of films that champion the strength and vivacity of South America’s documentary film community.
Past Made In programs explored national and regional cinemas from such places as South Korea (2009), Mexico (2008), Brazil (2007), Japan (2006), and South Africa (2004), have offered Hot Docs audiences revealing glimpses into the dynamic social, political, economical and cultural issues facing those societies, and have contributed a unique dimension to the Festival's programming.
 
ACCLAIMED DOC FILMMAKER KIM LONGINOTTO TO RECIEVE OUTSTANDING ACHIEVEMENT AWARD AT HOT DOCS 2010 PDF Print E-mail
JAN ROFEKAMP TO RECEIVE DOC MOGUL INDUSTRY AWARD

TAHANI RACHED HONOURED WITH FOCUS ON RETROSPECTIVE

Toronto, January 12, 2010 – The Hot Docs Board of Directors is pleased to announce that it has chosen celebrated UK filmmaker Kim Longinotto as the recipient of its Outstanding Achievement Award, which will be presented at the Hot Docs Awards Presentation on Friday, May 7, at the Isabel Bader Theatre.  As part of the honour, Hot Docs will screen a retrospective during the 17th annual Festival, April 29-May 9, celebrating Longinotto’s distinguished career. Hot Docs is also pleased to pay tribute to Film Transit International's Jan Rofekamp, who will be feted as this year's Doc Mogul Award recipient, and Canadian filmmaker Tahani Rached, with this year's Focus On retrospective.

"We're fortunate to be honouring the work of these three outstanding individuals, each of whom has made a distinct contribution to documentary culture," says Hot Docs director of programming, Sean Farnel. "For over 25 years Jan's sales company, Films Transit, has been a supporter, promoter and enabler for documentary filmmakers around the world. Kim is simply one of the great filmmakers of our time, in any form a true master, and Tahani's significant body of work deserves recognition and discovery."

Internationally acclaimed director Kim Longinotto is one of the pre-eminent documentary filmmakers working today, renowned for creating extraordinary human portraits and tackling controversial topics with sensitivity and compassion. Longinotto's rich filmography includes SISTERS IN LAW (2005), winner of a 2008 Peabody Award and two awards in Cannes; THE DAY I WILL NEVER FORGET (2003), which won the Amnesty International DOEN Award at IDFA and Best Doc UK Spotlight at Hot Docs; the recent HOLD ME TIGHT, LET ME GO (2007), winner of the IDFA Special Jury Prize; The BAFTA award-winning DIVORCE IRANIAN STYLE (1998); DREAM GIRLS (1993), winner of Best Documentary at Films de Femmes, Creteil; and SHINJUKU BOYS (1995), winner for Outstanding Documentary at the San Francisco Gay and Lesbian Film Festival. Her recent film, ROUGH AUNTIES, screened at Hot Docs in 2009 and was chosen by audiences as one of the top ten favourites of the year. ROUGH AUNTIES won the World Cinema Jury Prize in Documentary at Sundance in 2009.

Hot Docs is pleased to announce that Kim Longinotto will be in attendance at this year’s Festival. Curated by Hot Docs programmer Shannon Abel, the titles in the 2010 Outstanding Achievement Award Retrospective will be announced in March.
The Hot Docs Outstanding Achievement Award is presented annually by the Hot Docs Board of Directors in recognition of a filmmaker's enduring contribution to the documentary form. Past recipients and Hot Docs guests include Alanis Obomsawin (2009), Richard Leacock (2008), Heddy Honigmann (2007), Werner Herzog (2006), Errol Morris (2005), Michael Maclear (2004), Nick Broomfield (2003), Frederick Wiseman (2002), D. A. Pennebaker and Chris Hegedus (2000) and Albert Maysles (1999).
Hot Docs will present Jan Rofekamp with the 2010 Doc Mogul Award, recognizing an individual who, over the course of her or his career, has made an essential contribution to the creative vitality of the documentary industry, both at home and abroad. Rofekamp will be presented the Doc Mogul Award at a luncheon in his honour, to be held on Tuesday, May 4, at The Sutton Place Hotel's Stop 33 Rooftop Ballroom (955 Bay Street). Luncheon tickets will be available for purchase in mid-January. Jan Rofekamp is president and owner of Films Transit International, one of the world's leading international distributors of high-profile theatrical feature documentaries. After studying film production at the Dutch Film Academy, Rofekamp co-founded and co-operated film distribution company Fugitive Cinema Holland until 1982, when he founded Films Transit International Inc. He has produced and executive produced dozens of films throughout his career.
Hot Docs will pay tribute to Tahani Rached with this year's Focus On retrospective, an annual program showcasing the work of a mid-career Canadian filmmaker.

Born in Egypt, Tahani Rached settled in Quebec in 1966. After attending Montreal's École des Beaux-Arts, she was involved in community action until she made her first film, POUR FAIRE CHANGEMENT (1972), a documentary produced by Le Vidéographe, which set the tone for all her future work. In 1979, her first feature film, LES VOLEURS DE JOBS, revealed her distinctive view of the world, and was followed by a series of six half-hour documentaries for Radio-Quebec on Quebec's Arab community. An NFB staff filmmaker from 1980 to 2004, Rached's films include BEIRUT! NOT ENOUGH DEATH TO GO ROUND (1983); AU CHIC RESTO POP (1990); FOUR WOMEN OF EGYPT (1997); EMERGENCY! A CRITICAL SITUATION (1999); FOR A SONG (2001); SORAIDA, A WOMAN OF PALESTINE (2004), and THESE GIRLS (2006).
Hot Docs is pleased to announce that Tahani Rached will be in attendance at this year’s Festival. Curated by Hot Docs programmer Lynne Fernie, the titles in Focus On Tahani Rached will be announced in March.

Past Focus On honorees include Ron Mann (2009), Jennifer Baichwal (2008), Kevin McMahon (2007), Serge Giguère (2006), Larry Weinstein (2005), Nettie Wild (2004), Shelley Saywell (2003) and Zacharias Kunuk (2002).

Hot Docs is proud to include Rogers, Telefilm Canada and documentary as its Presenting Partners.
 
TORONTO FILM CRITICS ASSOCIATION ANNOUNCES WINNER OF ROGERS BEST CANADIAN FILM AWARD PDF Print E-mail

TORONTO - Polytechnique, Denis Villeneuve’s harrowing examination of the Montreal Massacre, has won the Toronto Film Critics Association’s Rogers Best Canadian Film Award for the year 2009.
The award, which carries a $10,000 cash prize, was presented to Villeneuve by director David Cronenberg, winner of the 2005 Best Canadian Film Award for A History of Violence, at the TFCA’s gala dinner, held January 12, 2010 at Toronto’s Nota Bene restaurant.Also nominated for the award were Ce qu’il faut pour vivre (The Necessities of Life), directed by Benoit Pilon, and Pontypool, directed by Bruce McDonald.
“Polytechnique is a film of astonishing courage,” said TFCA President Brian D. Johnson, film critic for Maclean’s. “Without a whiff of exploitation or crude moralizing, Denis Villeneuve brings a sensitive, unflinching eye to the Montreal Massacre – an event most filmmakers would consider untouchable. Villeneuve conveys the horrific tragedy of the event while exploring underlying issues of misogyny, male guilt and institutional circumstance. Set in a haunting silence of snow and concrete, Polytechnique’s contemplative drama honours the victims by preserving the mystery of an unfathomable crime, and never pretending to unlock the psychology of the killer. With grace, empathy and a stark, formal beauty, Denis Villeneuve shows how a memorial can be an act of imagination.”
"Rogers is proud to support the best in Canadian film," said Phil Lind, Vice Chairman, Rogers Communications.  "While a tough subject, we need to ensure that Canadian stories continue to be told and Polytechnique deals with an important yet devastating event in our country's history."
Also presented at the gala was the TFCA’s inaugural Jay Scott Prize for an emerging artist, which went to Quebec writer-director-actor Xavier Dolan - along with a $5,000 cheque. The prize was presented by director Atom Egoyan. And the Clyde Gilmour Award for enriching the understanding and appreciation of film went to Mark Peranson, founder and editor of Cinema Scope magazine, on the occasion of the quarterly publication’s tenth anniversary.
Established in 1997, the Toronto Film Critics Association is comprised of Toronto-based journalists and broadcasters who specialize in film criticism and commentary. All major dailies, weeklies and a variety of other print and electronic outlets are represented.
The TFCA would like to thank and acknowledge the following sponsors for their generosity and support:
The TFCA is especially grateful to its lead sponsors, Rogers Communications Inc. and Joe Fresh Style™, and to its additional sponsors: Maclean's magazine, Nota Bene, Moet & Chandon, Four Seasons Hotel, The Globe and Mail, Ontario Media Development Corporation, Cineplex Entertainment and Citytv.
The TFCA is affiliated with the International Federation of International Film Critics (FIPRESCI). Members have sat on juries at festivals in Cannes, Berlin, Venice, Toronto, Miami, Palm Springs, Vienna, Chicago, Pusan, Moscow, San Francisco, Warsaw, Amsterdam and London, among others.
Website: http://www.torontofilmcritics.com
 
RECIPIENTS OF CANWEST-HOT DOCS FUNDS ANNOUNCED PDF Print E-mail

$279,500 IN COMPLETION GRANTS AND DEVELOPMENT LOANS AWARDED

TO TOP DOCUMENTARY PROJECTS

Toronto, December 10, 2009 – Hot Docs Canadian International Documentary Festival and Canwest are pleased to announce that 11 projects have been chosen to receive a total of $279,500 in grants and no-interest loans from the Canwest-Hot Docs Funds in its fourth disbursement. Established in April 2008, the Funds consist of a $3-million completion fund and a $1-million development fund that aim to provide documentary filmmakers with much needed financial support at critical stages in their projects.

"While an ever-expanding and receptive audience awaits the completion of these new docs, we know the funding climate remains difficult," comments director of programming Sean Farnel. "But 'tis the season and it was the Committees' pleasure to play Santa Claus and offer support to these deserving projects."

 

Canwest-Hot Docs Completion Fund

The Canwest-Hot Docs Completion Fund Selection Committee consisted of: Nick Crowe, Production Executive, Canwest Media Inc.; Sean Farnel, Director of Programming, Hot Docs; and David Paperny, President, Paperny Films. The Committee awarded five completion grants totaling $222,000 to the following projects:

BEHIND THE SCENES AT KINNGAIT STUDIOS

Producers: David Craig, Katherine Knight

Director: Annette Mangaard

Production Company: Site Media Inc.

Set in the Canadian Arctic, the film weaves together many voices in a first hand account of how the remote settlement of Cape Dorset, Nunavut, has become the capital of the Inuit art world.

GRINDER

Producers: Cornelia Principe, Matt Gallagher

Director: Matt Gallagher

Production Company: Border City Productions

GRINDER is the director’s journey into the unconventional – and often bizarre - underground world of those who play poker for a living.

RAW OPIUM

Producer: Robert Lang

Director: Peter Findlay

Production Company: Kensington Communications Inc.

RAW OPIUM travels the world to offer an intimate and broad-ranging exploration of a commodity that has gone from being a “gift of the gods” to a scourge on society.

THE REAL M*A*S*H

Producer: Ed Barreveld

Director: Min Sook Lee

Production Company: Storyline Entertainment

THE REAL M*A*S*H traces the original stories and the people behind them that inspired the fictional TV series and feature film about the Korean War.

A STRANGE BREW - THE END OF ADDICTION

Producers: Amanda Handy, Robin McKenna

Directors: Mark Johnston, Mark Ellam

Production Company: Nomad Films Inc.

Guided by botanist Dr. Adam Brown, a man with a keen sense of curiosity and a taste for adventure, A STRANGE BREW takes us on a fascinating journey in an effort to unlock the secrets of plants that could play an important role in our common future.

 

Canwest-Hot Docs Development Fund

The Canwest-Hot Docs Development Fund Selection Committee consisted of: Lynne Carter, Production Executive, Factual Content, Canwest Media Inc.; Charlotte Engel, Production Executive, Documentaries & Alternative Programming, CTV; and Sean Farnel, Director of Programming, Hot Docs. The Committee awarded six no-interest development loans totaling $57,500 to the following projects:

9.79: THE RISE AND FALL OF BEN JOHNSON

Producer: Damon D'Oliveira

Director: Clement Virgo

Production Company: Conquering Lion Pictures

9.79 chronicles the legendary rise and fall of Canadian sprinter Ben Johnson. With the emergence of new evidence on the widespread use of performance enhancing drugs in competitive sport, was Johnson set-up when he tested positive for steroids during the 1988 Olympics?

ARIEL

Producer/Director: Laura Bari

Executive Producer: Mila Aung-Thwin

Production Company: EyeSteelFilm

Three years after undergoing a double amputation following a work accident, Ariel, a 33-year-old Argentine man, decides to design and build his own prosthetic legs, strengthening his will to survive and persevere.

GREEN TO THE END

Producer: Julia Bennett

Director: Kim Harris

Production Company: Snug Harbour Films Inc.

GREEN TO THE END follows two feisty sisters who, determined to spend no money and leave no footprint, go on the road to find a carbon-zero funeral.

INVISIBLE WAR: SECRETS OF THE HO CHI MINH TRAIL

Producer: Linda Stregger

Executive Producer: Barbara Barde

Director: Michael Maclear

Production Company: Take 3 Productions Inc.

America's decade of combat in Vietnam centered on the so-called Ho Chi Minh Trail, yet no armies confronted each other there. INVISIBLE WAR will take an in-depth look at the legendary Trail and those who endured eight years of continuous U.S. saturation bombing.

OPERATION SOAP

Producer/Director: James Wood

Executive Producer: Jerry McIntosh

Production Company: 21D Productions Inc.

On February 5, 1981, at 11 pm, Toronto police conducted simultaneous raids, dubbed Operation Soap, on four gay bathhouses. With first person accounts, archival footage and dramatic re-enactments OPERATION SOAP examines the raids and the 48 hours after in which the Canadian gay movement was born.

TAXI SCHOOL

Producers: Wendy Champagne, Denis McCready

Executive Producer: Sylvie Van Brabant

Director: Wendy Champagne

Production Company: Producions du Rapide-Blanc

Set in Montreal, TAXI SCHOOL will explore the lives of recent immigrants to Canada through the window of a taxi school, where they end up after exhausting their search for work in their own fields.

The next deadline for Canwest-Hot Docs Funds will be in May 2010. Applications will be available mid-April atwww.hotdocs.ca

 
Deadlinbe to Submit your Movie to Hot Docs is January 16 2009 PDF Print E-mail
SUBMITTING YOUR FILM TO HOT DOCS 2009

Film submissions for the 2009 Hot Docs Festival, which takes place April 30 - May 10, are now being accepted. The early-bird deadline is December 15, 2008, and the late entry deadline is January 16, 2009.

Please consult the submission guidelines provided below and the Submission FAQ page for general information on eligibility and requirements. To access the online submission form, please register for a MyHotDocs account using the link at the bottom of this page.

Please contact This e-mail address is being protected from spambots. You need JavaScript enabled to view it if you require any further information.

HOT DOCS 2009 FILM SUBMISSION GUIDELINES

    * ELIGIBILITY
    * SUBMISSION/MARKET FEES AND DEADLINES
    * ENTRY PROCEDURES
    * SELECTION
    * EXHIBITION PRINTS/TAPES
    * AWARDS
    * GENERAL INFORMATION

Eligibility

Hot Docs accepts submissions of documentaries of all lengths and subject matter. The Festival's programming team decides in which program a film will be presented, and includes this information on the official invitation. Hot Docs features two competitive programs, Canadian Spectrum and International Spectrum, and several non-competitive programs. All feature films selected for Hot Docs are eligible for the Audience Award.

We ask that you submit your film as either a Canadian or an international submission.

To be eligible as a Canadian submission, documentaries must be Canadian productions. All films produced outside of Canada are considered as international submissions.

Please note that country of production refers to the country from which most of the financing for the film was received and the residence of the film's key crew members, i.e. the director(s) and producer(s). For example, a film that has received most of its financing from Canadian funding sources and the director is Canadian, is considered a Canadian submission.

Otherwise, to be eligible for consideration, all submissions:

    * must have been completed after January 1, 2008;
    * cannot have been screened publicly prior to January 1, 2008;
    * must be English-language, subtitled in English or English versioned (note that non-English language productions may be submitted with an English transcript but must be subtitled or dubbed for presentation at Hot Docs at the applicant's expense);
    * must be Toronto premieres (i.e. must not have been screened or broadcast in Toronto before the festival).

Please note:

The English-language version of a French-language film will be considered eligible if the English version has not been broadcast or screened in Toronto.

For the purposes of eligibility and awards consideration, Hot Docs uses the following definitions:

    * Feature Length: 60 mins and over
    * Mid-Length: 30 to 59 mins
    * Short: under 30 mins

A feature-length version of a “broadcast hour” length film will be considered eligible if the feature-length version has not been broadcast or screened in Toronto. Please note, however, the fact the film has been broadcast will be a mitigating factor on the final decision to include it as part of the official selection.

For submission purposes, the Festival accepts DVD (all formats and regions). If selected to screen at the Festival, we accept the following exhibition formats: BetacamSp (NTSC or PAL), DigiBeta (NTSC or PAL), 35mm and HDCAM (High Definition).

Ineligible Productions

Films that have been submitted to previous Hot Docs festivals are not eligible for submission. However, if the film was submitted as a rough cut, the final version of the film can be submitted the following year, given that there have been major structural or content changes.
 
Tiger Spirit Opens in Toronto January 26 PDF Print E-mail

A reunification road trip through the two Koreas

 

World Broadcast Premiere on History Television

Monday, January 26, 2009 – 8:00pm (est/pst)

 

It’s fitting that Tiger Spirit the acclaimed feature length documentary by award-winning

filmmaker Min Sook Lee ( Hogtown: The Politics of Policing) will have its World Broadcast Premiere on  History Television on Monday, January 26, 2009 –  the first day of the lunar Korean calendar which is the most important of the traditional Korean holidays .

 

In Tiger Spirit filmmaker Min Sook Lee asks: “If North and South Korea did reunite

– what would that look like?” Shot in South and North Korea, Tiger Spirit introduces

two worlds split apart by one border but bound together by a sea of blood, family and memories

 

Korea is a divided nation.  The psychic scar shared by families divided during the Korean War in the 1950’s is symbolized by the Demilitarized Zone (DMZ) dividing communist North from capitalist South.  Along this infamous border, filmmaker Min Sook Lee begins a revelatory, emotionally-charged journey into Korea’s broken heart, exploring the rhetoric and realism of reunification through the extraordinary stories of ordinary people.

 

Lee joins one man’s quest to prove the tiger, a symbol of resilience in Korean mythology, still lives in the DMZ.  But Lee delves deeper than symbols, asking the crucial questions – how will the two Korea’s reunite?

 

In the South, we meet elderly Koreans waiting for news of family members they haven’t seen in over 50 years as well as young defectors haunted by memories of their recent escape.  In the North, we visit an inter-Korean economic project and gain unprecedented access to a state-sanctioned family reunion.

 

An eloquent tale of longing and hope, Tiger Spirit is an unforgettable portrait of Korea at a crossroads

 

Tiger Spirit is written and directed by Min Sook Lee, who also served as producer along with Ed Barreveld of Storyline Entertainment and Anita Lee from the NFB.  Directors of photography included Stan Barua, Mark Ellam and Michael Grippo while Ricardo Acosta served as editor.

 

Min Sook Lee is a writer, broadcaster and an award-winning documentary director/producer.  In 2006 she released the short docu-poem Borderless, a film about undocumented workers in Canada, which has screened internationally at festivals in Asia and North America.  Her feature documentary, Hogtown: The Politics of Policing was awarded for Best Feature-length Canadian Documentary at the 2005 Hot Docs festival.  Lee’s first feature El Contrato, was nominated for a Gemini award for Best Social/Political documentary in 2005.  In 2009 Min Sook will release the doc Badge of Pride, the story of queer cops in Canada.

 

Running time:  71 minutes

 

Visit these websites:

www.tigerspirit.ca

www.storylineentertainment.com

 
Examined Life Opens in Toronto on January 23 PDF Print E-mail

A Film by Astra Taylor

 

A Thoughtful Way to Begin the New Year

 

Opens in Toronto at The Royal – Friday, January 23, 2009

An intimate, engaging conversation with some of the greatest minds of our era, Examined Life conveys the wonderment and curiosity that drive philosophical thought. This feature length documentary also introduces the world's most formidable thinkers and some of the most compelling theoretical debates taking place today.

Examined Life pulls philosophy out of academic journals and classrooms, and puts it back on the streets.

Philosopher’s have long done their best thinking when directly engaging with the outside world, not in isolation from it.  Socrates roved the Athenian agora, courting trouble with the authorities.  Rousseau immortalized his rambles through nature on the printed page.  Nietzsche once said that only ideas conceived while walking have any value.

In Examined Life, filmmaker Astra Taylor, named one of Filmmaker Magazine’s “25 New Faces To Watch” (Zizek!) accompanies some of today’s most influential thinkers on a series of unique excursions through places and spaces that hold particular resonance for them and their ideas.

Peter Singer’s thoughts on the ethics of consumption are amplified against the backdrop of Fifth Avenue’s posh boutiques.  Michael Hardt ponders the nature of revolution while surrounded by symbols of wealth and leisure.  Juditih Butler and a friend stroll through San Francisco’s Mission District questioning our culture’s fixation on individualism.

And while driving through Manhattan, Cornel West – perhaps America’s best-known public intellectual – compares philosophy to jazz and blues, reminding us how intense and invigorating a life of the mind can be.

Offering privileged moments with great thinkers from fields ranging from moral philosophy to cultural theory, Examined Life reveals philosophy’s power to transform the way we see the world around us and imagine our place in it.

Examined Life features the “rock star philosophers” of our time, including Cornel West, Avital Ronell, Peter Singer, Kwame Anthony Appiah, Martha Nussbaum, Michael Hardt, Slavoj Zizek, Judith Butler and Sunaura Taylor.


Examined Life is co-produced by the NFB and Sphinx Productions, whose award-winning theatrical documentaries include Imagine the Sound (Best Documentary, Chicago Film Festival), Comic Book Confidential, Grass (both Genie Award winners) and the soon to be released Know Your Mushrooms.

Running Time:  88 minutes

More info at: www.filmswelike.com

 
Movie Premiere - KNOW YOUR MUSHROOMS PDF Print E-mail

KNOW YOUR MUSHROOMS

 

A film by RON MANN

 

Opening Night Co-Presented by Hot Docs

 

Opens in Toronto at The Royal on Friday, January 30, 2009

 

From the award winning director of Comic Book Confidential, Grass, Go Further and a host of paradigm-shifting films reappraising the backwaters of popular culture, Ron Mann investigates the miraculous, near-secret world of fungi with his newest piece of cinema, Know Your Mushrooms.

 

Mushrooms – we put them on our pizza and steaks and in our soups and salads: we marvel at their variety and are sometimes repelled by their grotesque beauty when encountering them in the bush.  And yeah, some have even sampled their more exotic possibilities and asked the question: “Do mushrooms come from a far away planet?”

 

Still others have asked, “Can mushrooms be a planet?”

 

The world of fungi and their integral relationship with the health of the planet have only recently been appreciated.  The oldest and largest living organisms recorded on Earth are both fungi.  And their use by a new, maverick breed of scientists and thinkers has proven vital in the cleansing of sites despoiled by toxins and as a “clean” pesticide among many other environmentally-friendly applications.

 

Inspired by a chance conversation with fellow filmmaker and mushroom bug Jim Jarmusch, Mann set off to the annual Telluride Mushroom Festival in Colorado.  It was there he encountered the unique sub-subculture surrounding fungi that includes an unlikely assortment of nerds, nuts, hipsters, tripsters, artists, chefs, musicians, foodies, foragers, and seekers all paying homage to the mighty mushroom.

 

Know Your Mushrooms follows uber-myco visionaries Gary Lincoff and Larry Evans (two of the more expert and unforgettably mercurial characters in the community) as they lead us on a hunt for the wild mushroom and the deeper cultural experiences attached to the mysterious fungi.

 

Combining material filmed at the Telluride Mushroom Fest with animation and archival footage along with an ORIGINAL neo-psychedelic soundtrack by the Flaming Lips, Know Your Mushrooms opens the doors to perception, takes the audience on a longer, stranger trip and delivers them to a brave new world where the fungi might well guide humanity to a saner, safer place…

 

Running Time:  77 minutes   -    www.filmswelike.com

 

 
WORLD PREMIERE - FLY ME TO THE MOON: Fateful Attraction PDF Print E-mail
FLY ME TO THE MOON: Fateful Attraction

WORLD PREMIERE ON CBC ‘DOC ZONE’

THURSDAY, JANUARY 22

9:00 P.M.  (9:30 P.M. Nfld.)

Leading up to the commemoration of the 40th anniversary of  man’s first walk on the moon in 1969, Montreal filmmaker John Curtin’s new documentary takes a whimsical look at our intriguing relationship to the moon – our closest and most romantic neighbour in the sky!

(Montreal – January 12, 2009) Commemorating the 40th anniversary of man’s first walk on the moon in 1969, Montreal filmmaker John Curtin’s new hour-long documentary FLY ME TO THE MOON: Fateful Attraction (CBC Television’s Doc Zone, Thursday, January 22 at 9:00 P.M., 9:30 P.M. Nfld.) takes a whimsical look at our intriguing relationship with the moon - our closest, and most romantic neighbour in the sky.

More than four billion years ago, an interplanetary collision tore away part of the earth, which eventually became the moon. But gravity has kept us orbiting together – the moon around the earth - in an endless dance. And it’s a fateful attraction that keeps bringing us back together.

Earth and moon were reunited when astronauts walked on the moon on July 20, 1969. But it didn’t last. Now, 40 years later, the relationship is hot again. Private companies are building moon-bound rockets. NASA plans a permanent human settlement up there and suggests the moon, because of its lower gravity, would be the perfect launching pad for further exploration of the solar system. And scientists say we can harness solar power on the moon and beam it to earth to solve our own planet’s energy crisis.

The moon has influenced us since the dawn of time, helping to create life on earth through gravitation and the tides. The moon also ensured the survival of the human race. When hunter-gatherers roamed the earth, women synched their menstrual cycles to the phases of the moon in a sex stratagem designed to get men to provide for their children. For astrologers, the moon is a symbol of femininity.

From Shakespearean romance to Beethoven’s famous Moonlight Sonata to the adventures of Jules Verne, the moon has loomed large in our culture and history. The absence of moonlight doomed the Titanic, while entire cities were destroyed in WWII under the “bomber’s moon”.

More recently, an American entrepreneur laid claim to the celestial body, selling millions of moon acres to earthlings for $19.99 an acre (plus $1.51 lunar tax)! And the ancient, intriguing art of ‘moon gardening’ is making a comeback in the UK, while experts (and the Montreal police) debate whether a full moon induces all the loony, lunatic effects ascribed to it.

In the film, well-known Quebec pianist and singer Gregory Charles performs several moon-themed musical numbers, including Fly Me To The Moon, That’s Amore, Aquarius, and excerpts from Beethoven’s Moonlight Sonata.

Starring the inconstant, ever-changing symbol of beauty, magic, danger, romance, power, and mystery, FLY ME TO THE MOON, in one entertaining hour, offers a fascinating short history of our close relationship, both scientific and cultural, with the moon.


John Curtin is a Montreal filmmaker and journalist with 25 years of experience in television, radio and print. He has freelanced for The New York Times and reported from abroad for CBC and National Public Radio. He is founder and owner of the film and television production company Kaos Films and has produced and directed sixteen one-hour documentaries which have been broadcast on the CBC, CTV, BBC, PBS, ARD, NHK, National Geographic, ARTE,  Discovery Channel and others. They include the recent documentary special To Hell With Manners: The Decline of Civility, as well as A Song for Africa, which won  the 2007 Deborah Fletcher Award of Excellence in Filmmaking on International Development; Dangerous When Provoked, about cartoonist Terry Mosher, which won both the 2007 Gemini Award and the Yorkton Golden Sheaf Award for Best Biography; Last Dance: Rex Harrington’s Story; Our Grieving Hearts; Islam Behind Bars; Ten Seconds of Eternity, which followed the world’s top sprinters to the Sydney Olympics;  and three biographies for CBC: Being Red Green: Steve Smith’s Story;  Olympic Warrior: Donovan Bailey’s Story, nominated for a Gemini Award for Best Sports Program; Passion before Reason: Margaret Trudeau’s Story. His production, Flirting with the Opposition, received a Gemini Award nomination for the Donald Brittain Award for Best Documentary Program. Curtin’s portrait of his father, Light and Shadow: A Photographer in the 20th Century, was screened at the Kunsthalle Museum in Vienna.

FLY ME THE MOON: Fateful Attraction is written, directed, edited and produced by John Curtin. Narrator is Ann-Marie MacDonald; Director of Photography is Glenn Weston; Original Music by Robert M. Lepage. Michael Claydon is Area Executive Producer and Linda Laughlin is Senior Producer for CBC Independent Documentaries. Mark Starowicz is Executive Director of Documentary Programming for CBC Television.

FLY ME TO THE MOON: Fateful Attraction is produced by Kaos Productions Inc. in association with the Canadian Broadcasting Corporation, with the participation of the Canadian Television Fund created by the Government of Canada and the Canadian cable industry, CTF: License Fee Program, the Québec Film and Television Tax Credit administered by SODEC, and the Canadian Film or Video Production Tax Credit Program.

Repeat Showing – FLY ME TO THE MOON will be repeated on CBC Newsworld Saturday, January 24 at 10:00 P.M. ET/PT.

 
WORLD PREMIERE - FLY ME TO THE MOON: Fateful Attraction PDF Print E-mail

FLY ME TO THE MOON: Fateful Attraction

 

WORLD PREMIERE ON CBC ‘DOC ZONE’

THURSDAY, JANUARY 22

9:00 P.M.  (9:30 P.M. Nfld.)

 

Leading up to the commemoration of the 40th anniversary of  man’s first walk on the moon in 1969, Montreal filmmaker John Curtin’s new documentary takes a whimsical look at our intriguing relationship to the moon – our closest and most romantic neighbour in the sky!

 

(Montreal – January 12, 2009) Commemorating the 40th anniversary of man’s first walk on the moon in 1969, Montreal filmmaker John Curtin’s new hour-long documentary FLY ME TO THE MOON: Fateful Attraction (CBC Television’s Doc Zone, Thursday, January 22 at 9:00 P.M., 9:30 P.M. Nfld.) takes a whimsical look at our intriguing relationship with the moon - our closest, and most romantic neighbour in the sky.

 

More than four billion years ago, an interplanetary collision tore away part of the earth, which eventually became the moon. But gravity has kept us orbiting together – the moon around the earth - in an endless dance. And it’s a fateful attraction that keeps bringing us back together.

 

Earth and moon were reunited when astronauts walked on the moon on July 20, 1969. But it didn’t last. Now, 40 years later, the relationship is hot again. Private companies are building moon-bound rockets. NASA plans a permanent human settlement up there and suggests the moon, because of its lower gravity, would be the perfect launching pad for further exploration of the solar system. And scientists say we can harness solar power on the moon and beam it to earth to solve our own planet’s energy crisis.

 

The moon has influenced us since the dawn of time, helping to create life on earth through gravitation and the tides. The moon also ensured the survival of the human race. When hunter-gatherers roamed the earth, women synched their menstrual cycles to the phases of the moon in a sex stratagem designed to get men to provide for their children. For astrologers, the moon is a symbol of femininity.

 

From Shakespearean romance to Beethoven’s famous Moonlight Sonata to the adventures of Jules Verne, the moon has loomed large in our culture and history. The absence of moonlight doomed the Titanic, while entire cities were destroyed in WWII under the “bomber’s moon”.

 

More recently, an American entrepreneur laid claim to the celestial body, selling millions of moon acres to earthlings for $19.99 an acre (plus $1.51 lunar tax)! And the ancient, intriguing art of ‘moon gardening’ is making a comeback in the UK, while experts (and the Montreal police) debate whether a full moon induces all the loony, lunatic effects ascribed to it.

 

In the film, well-known Quebec pianist and singer Gregory Charles performs several moon-themed musical numbers, including Fly Me To The Moon, That’s Amore, Aquarius, and excerpts from Beethoven’s Moonlight Sonata.

 

Starring the inconstant, ever-changing symbol of beauty, magic, danger, romance, power, and mystery, FLY ME TO THE MOON, in one entertaining hour, offers a fascinating short history of our close relationship, both scientific and cultural, with the moon.

 

John Curtin is a Montreal filmmaker and journalist with 25 years of experience in television, radio and print. He has freelanced for The New York Times and reported from abroad for CBC and National Public Radio. He is founder and owner of the film and television production company Kaos Films and has produced and directed sixteen one-hour documentaries which have been broadcast on the CBC, CTV, BBC, PBS, ARD, NHK, National Geographic, ARTE,  Discovery Channel and others. They include the recent documentary special To Hell With Manners: The Decline of Civility, as well as A Song for Africa, which won  the 2007 Deborah Fletcher Award of Excellence in Filmmaking on International Development; Dangerous When Provoked, about cartoonist Terry Mosher, which won both the 2007 Gemini Award and the Yorkton Golden Sheaf Award for Best Biography; Last Dance: Rex Harrington’s Story; Our Grieving Hearts; Islam Behind Bars; Ten Seconds of Eternity, which followed the world’s top sprinters to the Sydney Olympics;  and three biographies for CBC: Being Red Green: Steve Smith’s Story;  Olympic Warrior: Donovan Bailey’s Story, nominated for a Gemini Award for Best Sports Program; Passion before Reason: Margaret Trudeau’s Story. His production, Flirting with the Opposition, received a Gemini Award nomination for the Donald Brittain Award for Best Documentary Program. Curtin’s portrait of his father, Light and Shadow: A Photographer in the 20th Century, was screened at the Kunsthalle Museum in Vienna.

 

 FLY ME THE MOON: Fateful Attraction is written, directed, edited and produced by John Curtin. Narrator is Ann-Marie MacDonald; Director of Photography is Glenn Weston; Original Music by Robert M. Lepage. Michael Claydon is Area Executive Producer and Linda Laughlin is Senior Producer for CBC Independent Documentaries. Mark Starowicz is Executive Director of Documentary Programming for CBC Television.

 

FLY ME TO THE MOON: Fateful Attraction is produced by Kaos Productions Inc. in association with the Canadian Broadcasting Corporation, with the participation of the Canadian Television Fund created by the Government of Canada and the Canadian cable industry, CTF: License Fee Program, the Québec Film and Television Tax Credit administered by SODEC, and the Canadian Film or Video Production Tax Credit Program.

 

Repeat ShowingFLY ME TO THE MOON will be repeated on CBC Newsworld Saturday, January 24 at 10:00 P.M. ET/PT.

 
SETH ROGEN RETURNS TO SXSW FILM FESTIVAL WITH JODY HILL’S “OBSERVE AND REPORT” PDF Print E-mail

Austin, Texas -- January 12, 2008 – The South by Southwest (SXSW) Film Conference and Festival announced today additional titles and guest speakers for this year’s Festival, March 13 – 21, 2009 in Austin, Texas. Among the new titles unveiled is the Warner Bros. Pictures release “Observe and Report,” which will premiere in the Centerpiece slot on Monday, March 16th.

Written and directed by Jody Hill (“Foot Fist Way”), “Observe and Report” is a dark comedy starring Seth Rogen (“Pineapple Express,” “Knocked Up”) as Ronnie Barnhardt, a deluded, self-important head of mall security who squares off in a turf war against the local cops. Opening wide on April 10, 2009, the film also stars Anna Faris, Michael Peña and Ray Liotta, and was produced by Donald De Line and executive produced by Andrew Haas, Marty Ewing, Thomas Tull and Jon Jashni under the Legendary Pictures banner. Rogen previously attended the 2007 Festival with the world premiere of “Knocked Up,” which went on to gross nearly $150 million in its domestic release.

New panelists added to the SXSW Film Conference (March 14 – 17) include filmmakers Catherine Hardwicke (“Twilight,” “Thirteen”), Robert Rodriguez (“Sin City,” “Spy Kids”) and Mike Judge (“Office Space,” “King of the Hill”), SXSW alum and Mumblecore pioneer Joe Swanberg (“Nights and Weekends, “Hannah Takes the Stairs”) and Mark Woollen, the award-winning creator of many memorable trailers (“Milk,” “Slumdog Millionaire,” “Eternal Sunshine of the Spotless Mind”).

Long known as a banner destination for compelling documentary films, the lineup for the 2009 SXSW Film Conference & Festival will include:

“Objectified” – From acclaimed SXSW alum Gary Hustwit ("Helvetica") comes a new film that documents the creative processes of some of the world’s most influential industrial designers, and looks at how the things they make impact our lives. What can we learn about who we are, and who we want to be, from the objects with which we surround ourselves?

“New World Order” – Directed by SXSW alum Andrew Neel, this documentary about conspiracy theorists is a behind the scenes look at the underground anti-globalist movement. The film chronicles celebrity radio host and underground cult hero Alex Jones, (of “Waking Life” and “A Scanner Darkly”), and other conspiracy theorists on their ceaseless quests to expose the 'massive global conspiracy' that they believe threatens the future of humanity.

“Winnebago Man” – Jack Rebney is the most famous man you've never heard of – after cursing his way through a Winnebago sales video, Rebney’s outtakes became an underground sensation and an online phenomenon seen by millions. Filmmaker Ben Steinbauer climbs to the top of a mountain and goes deep into the woods to find the recluse who unwittingly became an Internet superstar.

“RiP: A Remix Manifesto” – Web activist and filmmaker Brett Gaylor explores issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall between users and producers. Gaylor's documentary features artists like Girl Talk, who employ mash-up techniques, mixing samples of existing music into new songs. Interviews with additional artists, lawmakers, companies and consumers are interspersed with animation, archive footage and collages.

The SXSW Film Festival will open on March 13th with a screening of “I Love You, Man,” directed by John Hamburg and starring Paul Rudd, Jason Segel and Rashida Jones. Previously announced panelists for the 2009 SXSW Film Conference & Festival include acclaimed writer/directors Todd Haynes and Richard Linklater in conversation together, longtime Stanley Kubrick producer Jan Harlan, as well as a rare appearance by Col Needham, Vice President of IMDb.com Service Limited. The complete festival lineup will be announced in early February 2009.

South By Southwest Film Conference & Festival SXSW offers a uniquely creative space for filmmakers, film fans, and even cinephiles to partake in the big and small picture discussions about filmmaking today. The Conference hosts a five-day adventure in the latest filmmaking trends and new technology, featuring Conversations with film icons, intimate mini-meetings and one-on-one mentor sessions with industry veterans. The internationally-acclaimed, nine-day Festival boasts some of the most wide-ranging programming of any US event of its kind, from provocative documentaries to subversive Hollywood comedies, with a special focus on emerging talents. Learn more at sxsw.com/film.

SXSW Film Conference and Festival is sponsored by Miller Lite, The Independent Film Channel (IFC), The Austin Chronicle, Fuze Beverage and ZonePerfect.

 
FEBRUARY’S DOC SOUP SEES CANADIAN PREMIERE OF CRITICALLY-ACCLAIMED AFRICA DOC MILKING THE RHINO PDF Print E-mail

FEBRUARY’S DOC SOUP SEES CANADIAN PREMIERE OF

 CRITICALLY-ACCLAIMED AFRICA DOC MILKING THE RHINO

DIRECTOR DAVID E. SIMPSON IN ATTENDANCE

MILKING THE RHINO screens on Wednesday, February 11, at 6:30 p.m. and 9:15 p.m. at the Bloor Cinema

 

 

Toronto, January 14, 2009 – Hot Docs Canadian International Documentary Festival is pleased to announce that MILKING THE RHINO (D: David E. Simpson, USA) will receive its Canadian premiere at February’s Doc Soup. An official selection of the International Documentary Film Festival Amsterdam (IDFA), MILKING THE RHINO is touted as “fascinating… beautiful” in a four-star review by the Chicago Tribune and “refreshingly optimistic” by Variety. MILKING THE RHINO screens on Wednesday, February 11, at 6:30 p.m. and 9:15 p.m. at the Bloor Cinema, 506 Bloor Street West. Director David E. Simpson will be in attendance for a post-screening Q&A.

 

The familiar scenes of wildlife documentaries – a ferocious kill on the Serengeti, warnings about endangered species – all ignore a key feature of the African landscape: villagers, just off-camera, who endure the daily trials of living amongst wild animals. When seen at all, rural Africans are often depicted as the problem: they poach wildlife and encroach on habitat, spoiling romantic, Western ideas of wild Africa. Not so in MILKING THE RHINO, which takes the unique approach of turning the cameras around to tell a more nuanced tale of conservation in post-colonial Africa. The Maasai tribe of Kenya and Namibia’s Himba—two of the oldest cattle herding cultures on earth—are emerging from a century of “white man’s conservation,” which turned their lands into game reserves and elevated wildlife for its exoticism at the expense of local peoples. Having borne the costs of wildlife conservation while reaping few of the benefits, the Maasai and Himba are now vying for a piece of the economic pie and a path towards self-sufficiency. MILKING THE RHINO depicts people at the cutting edge of Community-based Conservation (CBC), a new paradigm that tries to balance the needs of both wildlife and people. It is a movement led by NGO field workers and social entrepreneurs at the village level. CBC has been touted by environmentalists as “win-win,” but the devil is in the details.

 

Charting the collision of ancient lifestyles with Western expectations, MILKING THE RHINO tells intimate, harrowing and hopeful stories of rural Africans in the midst of deep cultural change.

 

The Doc Soup monthly screening series brings the latest Canadian and international documentaries to the big screen in Calgary, Toronto and Vancouver. Single tickets for MILKING THE RHINO are $12 and can be purchased in advance at www.hotdocs.ca or at the door on the night of the screening (subject to availability). A limited number of free tickets for the 9:15 p.m. screening will be available to students with proper ID (subject to availability) at the door, on a first-come first-served basis beginning at 5:30 p.m.  

 

Upcoming screening dates for Toronto’s Doc Soup are February 11, March 11 and April 15. Doc Soup titles are announced at least one month prior to their screenings and, whenever possible, guest directors are in attendance.

 

Hot Docs is pleased to acknowledge Citytv as the Presenting Partner of the Doc Soup series.

 

Doc Soup Toronto is sponsored by Rogers and the Toronto Star.

 
Darryl’s Hard Liquor and Porn Film Festival PDF Print E-mail

Nudge, nudge, wink, wink!

 

Canada’s Very Own

Darryl’s Hard Liquor and Porn Film Festival

Returns To London To Scandalize Proper Society

 

Saturday, January 10th, 2009

Roxy Bar & Screen – 128-132 Borough High Street, London ES1

Showtime  8:00pm

£3 Entry


For Tickets and more information 

http://www.roxybarandscreen.com/listings.php?event=809


www.hardliquorandporn.com

 

(Toronto – January 6, 2009) – Those kinky Canadians and their popular program of prurient and puerile sex-coms are returning to the London Short Film Festival for a second year. This follows an overwhelmingly successful debut last year, playing to a triple-capacity crowd at the Roxy Bar and Screen.

Now in its sixth year, the London Short Film Festival (http://www.shortfilms.org.uk/ ) plays in several theatres in the heart of London, showcasing leading-edge short films from around the world. “Darryl’s” Director of Programming Darryl Gold and Executive Producer Jill Rosenberg have been invited back to showcase a provocative selection of short films spoofing sex and porn.


Darryl’s Hard Liquor and Porn Film Festival (DHL&P) played to capacity crowds in Toronto in September 2008 and will continue to tour its program of original and witty creative erotica to Montreal on January 31st at the Society of Arts and Technology and in New York on February 14.
 
The London screening will offer a full and eclectic evening program of short films, many that have been specifically produced for DHL&P.  The event will mark the European premiere for the majority of these films. 

 

Highlights include the 3D film “Gender Vision” by Neil Hollands (Canada) “Toe Jam” by The Brighton Port Authority (USA), “XXX-Ray” by Jill Rosenberg (Canada), “The Secret to Success With Women” by Darryl Gold (Canada), and the Best Foreign Film winner at Darryl’s Toronto ‘08 festival, “A Mate” by Finland’s Teemu Nikki.


Audience members are encouraged to dress up as their inner porn star.


Darryl Gold will also be on hand to judge and present the award for Best Low Budget Film at the London Short Film Festival.

 
FINAL WEEK TO SUBMIT FOR SIMM fest 09 PDF Print E-mail
This Friday is the final deadline to submit your film or music video to CIMMfest '09
The Chicago International Movies and Music Festival!

Go to http://www. cimmfest. org to submit or through Without A Box,
https://www. withoutabox. com/login/7239

See you at CIMMfest!

This e-mail address is being protected from spambots. You need JavaScript enabled to view it

-CIMM Festival 2009
http://www.reverbnation.com/label/cimmfestival
 
2009 Big Sky Documentary Film Festival announces Official Selections PDF Print E-mail

Missoula, Montana - The 2009 Big Sky Documentary Film Festival has announced the Official Selections for the annual 10-day event, February 13-22.  Now in its sixth year, the 2009 installment includes

143 extraordinary films from more than 30 countries, a selection chosen from nearly 1000 submissions. The 2009 program is truly distinguished, offering the most diverse exhibition of work to ever screen under the Big Sky.

This year's films cover the gamut of possibilities within the non-fiction form, with topics ranging from the ivory-billed woodpecker to art cars; from rock docs to opera; from Antarctica to Swaziland! Special presentations include retrospectives of filmmakers Ron Mann & Joe Berlinger (both in attendance) and a live musical accompaniment to silent film by the world renowned Alloy Orchestra.

Now expanded to 10 days, downtown Missoula's historic Wilma Theatre, the 1100-seat venue that houses Montana's largest screen, once again hosts the visual immersion into a world where reality plays itself.

With packed audiences of avid moviegoers, most films are accompanied by a Q&A with their respective filmmakers.

Screening passes are now available for purchase at <http://www.bigskyfilmfest.org/ tickets.html>  A full schedule of events will be published later this week.  For more information visit <http://www.bigskyfilmfest.org>  or sign up for RSS feed at the Big Sky Blog <http://bigskydocff.blogspot.com/>